ACTING
*
ACTING *
Lábia
2023-
Continuous artistic research project. Public presentations in the form of performance, installations, workshops and talks.
Performance
-
The construction of Spillovers starts from Lesbian peoples: material for a dictionary. Written in 1976 by Monique Wittig and Sande Zeig, it is a dictionary for lovers that seeks to outline the contours of an emotional, sensorial and political lexicon. Rita Natálio constructs a fabled reinterpretation of this iconic work of lesbian feminism, in the form of a conference with several voices where a current transfeminist glossary is discussed in dialogue with the memory of this book. Spillovers are lovers or perhaps transitive states of identity, they call upon the body, eroticism and somatic experience to create alternatives to current ecological problems and eventually to water production.
-
Text and direction: Ritó Natálio
Performers and collaboration on the text: Alina Ruiz Folini, Josefa Pereira, Ves Liberta
Music: Odete
Photography and editing direction: Aline Belfort
Film contribution: Liz Rosenfeld
Creation and execution of costumes in textile and PVC: Naára Saturnino
Kaibô belt creation: Mandí Kaibô and Margot Silva
Interviews: Eric Santos, Lui L’Abbate
Written contribution to the Spillovers glossary: Geni Núñez
Graphic consultancy and image proposals: Maura Grimaldi
Creation of forked flute: Rebeca Letras
Video recording: Patrícia Black
Participation in initial residencies: Luiza Cascon, Josefa Pereira
Collaboration in the initial conception of the text: Alina Ruiz Folini
Translation into English: Miguel Cardoso
Co-production: Batalha Centro de Cinema, Associação Parasita
Support for creation: Calouste Gulbenkian Foundation
Executive production: Associação Parasita / Sofia Lopes and Lysandra Domingues
Production assistance: Laila Algaves Nuñez
Spillovers
2023
Movie
Interview and performance
-
"Every transition is an end-of-the-world experience."
Jota Mombaça
LABIA is an autobiographical artistic project of a permanent processual nature, never fixed but transforming with each moment and space it occupies. Rooted in queer identity as an act of destabilizing one’s own identity, LABIA fosters a meeting between multidisciplinary artists who navigate between worlds without being confined to entrenched ways of operating, in a coexistence and re-signification of their (re)(ex)istences.
In alliance with an intersectional transfeminist thought, we propose the urgency of becoming- collectivities while preserving our subjectivities and nurturing a non-hierarchical relationship between them. We construct a universe that allows for the extrapolation and transcendence of individual and bodily materiality, dismantling the colonizing and binary language, and proposing discourses of language through gesture, expanding its multiple possibilities in a lifelong artistic process.
LABIA carries with it memories, constructions, and affections from previous process moments, which, in new contexts, take on new contours, allowing themselves to be disturbed and to overflow into other cosmologies. — Jo Castro
-
Artistic concept and direction: Jo Castro
Lighting design, sound composition, texts, set design and performance: Jo Castro, Lui L’Abbate, Rezmorah and Nara António
Participation in the research process: João Leonardo and Rezmorah
Bio materials, scenic sculptures and performance: ROD
Video and performance: Francisca Manuel
Financial management: Sekoia Artes Performativas
Research and creation grants: Reclamar Tempo - Câmara Municipal do Porto,
Teatro Académico Gil Vicente, Teatro de Ferro, OSSO Associação Cultural, Asta – Teatro e Outras Artes, Câmara Municipal de Setúbal, Teatro da Voz and Programa Guelra - Arte Total
Research residencies: CAMPUS Paulo Cunha e Silva, Teatro Académico Gil Vicente, Teatro de Ferro
Research, creation and artistic residencies support: Trust Collective, Devir Capa, A Gráfica, Câmara Municipal de Setúbal, A Casa do Comum, O Lugar do Meio, OSSO Associação Cultural, Teatro Municipal da Guarda, Teatro Municipal do Porto, Teatro da Voz, Arte Total and Gnration
Coproduction residency: O Espaço do Tempo
Coproduction: DDD – Festival Dias da Dança and Cineteatro Louletano
Acknowledgements: Be Dias, Melissa Rodrigues, Maurícia|Neves, Pietro Romani and Vera Martins
Caosa Video - Gadutra
2022
Videoclip
Performance and acting
-
Lyrics:
"Suspenso mistério
Noite profunda, garganta profunda
Voa cavala doida,
Voa cavala doida,
Voa cavala doida.
Nem só de loucura vive a trovoada
Caótica, porém lúdica no caos
Mais protuberante pimenta, coelho e boca de açafrão, caralho.
Suspenso absurdo?
Ah, fala sério, ein.
Nem te conheço!
Tô nem aí pra você não, ein.
Ai que loucura,
Ai que loucura,
Ai que loucura,
Que loucura tar na crista da onda, ein!
Que delícia.
Nossa, tá uma delícia, ein.
Tá uma delícia, ein!
Eu tô sinistra, ein.
Uma delícia.
Tô pronta pra pular no barco, agora.
Tô pronta pra pegar o atalho, agora.
Tô toda ralada.
Tô toda sufocada.
Tô fodida.
Tô uma delícia, ein.
Não, eu não serei submissa à você."
-
Direction: Gadutra
DOP: Lucas Sadalla
Assistence of DOP: Alice Turnbull
Sound: Juca
Behind the Scenes: Lucca Vogel
Video Editing: Gadutra & Lucas Sadalla
With:
Bee Barros, Gadutra, Nany Aguiar, Léo Sério, Luan Okun, Lui L'Abbate, Sidnei Ramalho, Tita Maravilha, Zaya
comonãofazerabsolutamentenada.mov
2020
Video
Virtual performance
-
Some things are not unfolding as we had imagined. We decided to stage an intervention. We brought our virtual minds together and looked at one another across flat screens. By colliding references from the group’s previous works with our own experiences of video conferencing, we discovered a new possibility.
-
Creation: Grupo Liquidificador
With: Ana Quintas, Fernanda Alpino, Larissa Souza e Lui L'Abbate
Text: Fernanda Alpino, exerpt from the production Jardim das Delícias (2018)
Superfície plana corpo-coisa paisagem
2020
Short-film
Voice-off
-
In celebration of Brasília's 60th anniversary, this film is being released. It's an affective collage presenting a subjective city, a city of possible experiences, distant from the known central narrative, yet contained within it. Ideals are fulfilled through the people who create the city, use it, and record it – in photographs, videos, and texts – in order to understand it. Just as before, the future. Its structures still astonish and fascinate the new eyes that behold them.
-
Creation, direction, montage and research: Duda Affonso, Julia Nogueira and Manu Curtiss
Analog pictures: personal archive, Nogueira family, Peixoto Affonso family
Voice: Lui L’Abbate
Text: ‘Project for Brasília Museum’, letter from Mário Pedrosa to Oscar Niemeyer, Rio de Janeiro 24th of July 1958
Brasília, Clarice Lispector 1962
Special thanks to: Valéria Nogueira, Larissa Marinho, Yasmin Nogueira, Patrícia Affonso and Maria da Conceição Peixoto Affonso
O Ínterim
2020
Short-film
Voice-off
-
-
direction: Duda Affonso
cast: Sabrina Azevedo, Gabo Pérez and Maria Cuennet
special guest: Liliana Camões
soundtrack: “Escorpião é vivo”, Duda Affonso
“Nave nova”, Rios Voadores
mix and master (audio): Renato Rocha
text: Marguerite Duras: The cinema of writing. The writing of the voice. The voice of cinema.
voice: Lui L’Abbate
Roland Barthes: Camera Lucida: Notes on Photography
voice: Marine Sigaut and Sabrina Azevedo
Jardim das Delícias
2018
Theatre play
Acting and lighting assistance
-
“A garden is made of light and sound. Plants are merely supporting elements.”
— Burle Marx
A Dantesque painting from 1500.
The same year as the creation of the nation of Brazil following the invasion of these lands—blessed by Father Anchieta and his theater, which tirelessly pursued the work of catechization.
2,000 years after the inception of the Christian world and its mythologies.
60 years after the creation and naming of the paradisiacal space that would come to be called Brasília—blessed by religious figures and political “prophets.”
Jardim das Delícias (Garden of Delights) emerges within this context. It is the seventh production by Grupo Liquidificador, a collective that treats group coexistence as a research project, intertwined with the individual ethics of each show’s creators. The blending of artistic languages and the exploration of boundaries between art forms serve as the primary engine for this work. Seven years is the time it takes for the human body to completely shed and renew its skin; seven, therefore, acts as the symbolic portal that opens in this new piece.
We have borrowed (or perhaps pirated) scenes from Hieronymus Bosch’s painting, aiming to bring to the stage the conflicts between these images and the human body, alongside the soundscapes and landscapes they depict. Throughout the creative process, we drew dramaturgical inspiration from Gertrude Stein’s “landscape plays,” as well as texts written by the performers themselves, alongside works by Clarice Lispector, Antonin Artaud, Shakespeare, and others. Beyond these texts, the production is defined by lyrical scenes and “body-discourses”—images suited for an era in which language is evolving at a rapid pace. We invite you on a playful journey, one that seeks to transform ethical and aesthetic horizons through a spiral of vertigo, imagery, and political bodies. The polis—the city—placed inside a blender: an organism that refuses to appease. In an era defined by the battle over media imagery, "fake news," post-truth, and a moral desperation to define what is good, beautiful, and true, Jardim das Delícias (Garden of Delights) emerges from a need for indeterminacy and the (re)construction of horizons—a desire to explore (and perhaps blur?) linguistic boundaries in search of alternative modes of expressive communication.
-
Production: Grupo Liquidificador;
Cast: Ana Quintas, Aila Beatriz, Fausto Augusto Candido, Josuel Junior, Larissa Souza, Lui L’Abbate, Nininha Albuquerque, and Tassiana Rodrigues;
Directors: Fernanda Alpino and Fernando Carvalho;
Dramaturgy: Fernando Carvalho;
Texts: The Cast, Fernanda Alpino, Fernando Carvalho, Clarice Lispector, Antonin Artaud, the Book of Genesis, David Foster Wallace, and William Shakespeare;
Movement Coaching: Nininha Albuquerque;
Original Soundtrack: Malena Stefano;
Set and Costume Design: Coletivo entre-vazios (Roberto Dagô and Luenia Guedes);
Assistant Set Designer: Ramon Lima;
Lighting Design: Ana Quintas;
Assistant Lighting Designers: Lui L’Abbate and Larissa Souza;
Press Relations: Josuel Junior;
Teaser and Photography: Duda Affonso;
Movement Consultant: Luara Raio;
Vocal Consultant: Renio Quintas;
Production Assistants: Natasha Albuquerque and Gustavo Haeser;
Production: Grupo Liquidificador and the Jardim das Delícias Team
Inominável
2017
Performance play
Performance and light design
-
This performance, for a limited audience of 17 people, features a script collaboratively constructed by the performers in interaction with the audience. The thematic basis is divided into three categories: memory (related to the mythical realm), lived experience (poetic realm), and experience (ethical). These three categories intertwine, interact, and reshape the performers' creative process, who bring their own affections, memories, and emotions to the stage.
-
Direction: Similião Aurélio and Jordana Mascarenhas
With: Elisa Carneiro, Brendo Sousa, Gregório Benevides, Helena Miranda, João Quinto, Jordana Mascarenhas, Karinne Ribeiro, Lui L’Abbate, Luísa Duprat, Pedro Mazepas, Victor Caballar, Similião Aurélio e Wily Oliveira
Ruas abertas
2018
Performance
-
A scenic intervention in urban space, based on the theme of Love and Abandonment, the starting point of Teatro do Concreto which resulted in the performance Entrepartidas. The group's initial investigations stemmed from a central question: what is the relationship between love and abandonment in contemporary society? The series of interventions establishes a game with the street, valuing the relationship with urban space and passersby. By abstaining from the ideas of character and narrative, the spectator takes on an even more authorial role in constructing meaning for the performers' actions and the game established with the city and its daily rhythm.
-
Direction: Francis Wilker
With: Teatro do Concreto and guests
23/3 = 7
2016
Performance
-
Conceptualization, research and performance: Lui L’Abbate and Victor Hugo Leite