[...] we are doing our gambiarras and working our guerrillas. It's how we know how to operate, it's how we create, it's how we vomit what we feel necessary in the way we need it. We don't do guerrilla and gambiarra due to a lack of technique or knowledge, much less due to a lack of professionalism, but precisely the opposite. Because we have techniques and knowledge we become professionals, developing our own ways of working in the field of arts. I know what I want to do and, exactly for that reason, I use gambiarras to carry out guerrilla work. It is based on my political-social-economic-circumstantial history, which is always present with me, regardless of where I am or who I work with. This is my way of doing things. And this way of operating goes beyond the borders of artistic areas and spills over into all of them, guerrilla and gambiarra are made present in different places.